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¾Æ¸®Á¶³ª ÁÖ¸³´ë ÀÛ°î°ú ¹Ú»ç(DMA in composition, Arizona State University)
¿ÀÇÏÀÌ¿À ÁÖ¸³´ë ÀÛ°î°ú ¼®»ç(MM in composition, the Ohio State University)
¿ÀÇÏÀÌ¿À ÁÖ¸³´ë ÀÛ°î°ú Çлç(BA in composition, the Ohio State University)
Arizona State University¿¡¼ ½ÃâûÀ½ °ÀÇ ¹× À½¾ÇÀÌ·Ð Áöµµ
Southwestern Baptist Theological Seminary¿¡¼ À½¾ÇÀÌ·Ð ¹× ½ÃâûÀ½ °ÀÇ
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¡ºSelf Learning Jazz Piano I¡» ÇÑ¿µ¹ø¿ª(±èÁ¤ÀÎ ÁöÀ½, Åä´Ð ÃâÆÇ»ç)
YouTube Channel: composer′s journey(¹Ì±¹À½´ë¿¡¼ ¹è¿ì´Â À½¾ÇÀÌ·Ð)
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Part I - Music Theory
Chapter 01 General Info
Chapter 02 ¼¼ Á¾·ùÀÇ Minor(three different variations of the minor scales)
Chapter 03 Triads and Seventh Chords(3ÈÀ½°ú 7ÈÀ½)
Chapter 04 Non-Chord Tones(ºñȼºÀ½)
Chapter 05 Cadence(Á¾Áö)Chapter 06 Harmonic Progressions
Chapter 07 Secondary Function
Chapter 08 Key Relationship
Chapter 09 Modulation(ÀüÁ¶)
Chapter 10 Instruments(¾Ç±â)
Chapter 11 Mode Mixture(Â÷¿ëÈÀ½)
Chapter 12 Neapolitan(³ªÆú¸® ȼº)
Chapter 13 Augmented 6th Chords(Áõ6ÈÀ½)
Chapter 14 Enharmonic Spellings(ÀÌ¸íµ¿À½)
Chapter 15 Common Tone Diminished Seventh Chords(ct°7)
Chapter 16 Further Harmony
Chapter 17 À½¾ÇÀÌ ÀüÅëÀûÀÎ Chord ProgressionÀ» µû¸£Áö ¾ÊÀ» ¶§
Chapter 18 Modes(¼±¹ý)
Part II - Music Analysis
Chapter 19 Period(Å«¾ÇÀý)
Chapter 20 Form(Çü½Ä)
Chapter 21 Tonality(Á¶¼º)
Chapter 22 Motive and Theme
Chapter 23 Sequence and Imitation(µ¿ÇüÁøÇà°ú ¸ð¹æ)
Chapter 24 Melodic Contour(¼±À² À±°û)
Appendix
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